(2025). Into the Void: Life, Death and Heavy Metal (TV Series). Brooklyn, New York: Vice Media Group LLC.
Abstract: Episode 1: Randy Rhoads; 2: Kurt Struebing of NME; 3: Judas Priest on Trial; 4: Chuck Schuldiner of Death; 5: Wendy O. Williams; 6: Iranian Metal Crusade; 7: Ann Boleyn of Hellion; 8: Dimebag Darrell
“SYNOPSIS: INTO THE VOID is a groundbreaking documentary series that explores the epic struggles and the cultural impacts made by Heavy Metal’s most compelling artists. Their intensely personal stories about finding success offer an intoxicating combo of volume and distortion delivered via pulsating tales of murder, addiction, rebellion and redemption.”
(SOURCE: https://press.hulu.com/shows/into-the-void/)
“Delves into the emotional sagas and behind-the-scenes lives of iconic heavy metal bands and artists, offering an intimate look at the towering legends and unforgettable figures in the genre's history.”
(SOURCE: https://www.imdb.com/title/tt35048255/)
See also: https://www.imdb.com/news/ni65469916/
<< 8 bands listed on 8 cassettes in official film series poster: 1) Death (Florida); 2) Judas Priest; 3) N.M.E. (Tacoma, Washington); 4) Pantera; 5) Hellion; 6) Randy Rhoads; 7) Plasmatics; and 8) Confess (Iran).
CREDITS: Helmed by executive producers Evan Husney and Jason Eisener, the co-creators of the hit pro wrestling documentary series “Dark Side of the Ring,” which debuted in 2019 – becoming Vice TV’s most-watched series of all time.>>
Guillermo Garcia, executive producer.
Vice Studios
SOURCE: https://www.hulu.com/series/into-the-void-life-death-and-heavy-metal-07fbab33-fe16-4154-b761-541ff9cc4783
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Alecrim, T. R. (2025). A mosaic in the mirage: Alienation, malaise and metal music in the neo-liberal age. Metal Music Studies, 11(1), 91–108.
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Allard, F., Spiegel, F., & Kyriacou, G. (Eds.). (2025). Iron Maiden: Infinite Dreams: The Official Visual History. London & New York: Thames & Hudson.
Abstract: << Celebrating 50 years of Iron Maiden, this incomparable visual book, featuring commentary by band members past and present, and never-before-seen photography from the Iron Maiden archives, chronicles the evolution of heavy metal’s most influential and enthralling band since 1975.
Presenting iconic album and single artworks, photographs of the band’s instruments past and present, stage props, hand-written lyrics and artifacts from the Maiden archive and the band’s personal collections, as well as landmark photographs by Ross Halfin and John McMurtrie, Iron Maiden: Infinite Dreams is rife with revelatory stories and intriguing insights from pivotal band members and management. It also features a foreword by band founder Steve Harris and an afterword by vocalist Bruce Dickinson.
Iron Maiden: Infinite Dreams is the official, definitive legacy volume, celebrating the band’s creativity, dedication, personality, and success. >>
(SOURCE: https://www.amazon.com/dp/0500029601 )
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Ålöw, T. (2025). Reverberations of Revelation: Thrash Metal Retellings of John’s Apocalypse. Journal of Religion and Popular Culture, 37(2-3), 50–63.
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Anderton, C., & Burns, L. (2025). Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal. In The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 1–14). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Anderton, C., & Goodge, P. (2025). Alone in the Crowd? Live Music Audiences and Individual Experience. Popular Music, First View, 1–15.
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Bainbridge, A., & Scholes, S. C. (2025). Why are you still talking about Black Sabbath? Spotting the music buff charlatans in playlists of contemporary heavy metal music. Psychology of Education Review, 49(1), 39–42.
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Balfe, M. (2025). Abjection in Nirvana’s “In Utero”. Deviant Behavior, Lates Articles, s.p.
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Banchs, E. (2025). A reflection on “Metal Rules the Globe: Heavy Metal Music around the World”. Metal Music Studies, 11(2), 165–168.
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Banchs, E. (2025). This bridge called my back: The feminine-oriented consciousness behind ISMMS–Spain’s biennial research conference, its intersection with metal music studies and our journal. Metal Music Studies, 11(2), 209–216.
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