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(2025). Into the Void: Life, Death and Heavy Metal (TV Series). Brooklyn, New York: Vice Media Group LLC.
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Alecrim, T. R. (2025). A mosaic in the mirage: Alienation, malaise and metal music in the neo-liberal age. Metal Music Studies, 11(1), 91–108.
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Allard, F., Spiegel, F., & Kyriacou, G. (Eds.). (2025). Iron Maiden: Infinite Dreams: The Official Visual History. London & New York: Thames & Hudson.
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Ålöw, T. (2025). Reverberations of Revelation: Thrash Metal Retellings of John’s Apocalypse. Journal of Religion and Popular Culture, 37(2-3), 50–63.
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Anderton, C., & Burns, L. (2025). Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal. In The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 1–14). Routledge Music Handbooks. Oxfordshire, England: Routledge.
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Anderton, C., & Goodge, P. (2025). Alone in the Crowd? Live Music Audiences and Individual Experience. Popular Music, First View, 1–15.
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Bainbridge, A., & Scholes, S. C. (2025). Why are you still talking about Black Sabbath? Spotting the music buff charlatans in playlists of contemporary heavy metal music. Psychology of Education Review, 49(1), 39–42.
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Balfe, M. (2025). Abjection in Nirvana’s “In Utero”. Deviant Behavior, Lates Articles, s.p.
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Banchs, E. (2025). A reflection on “Metal Rules the Globe: Heavy Metal Music around the World”. Metal Music Studies, 11(2), 165–168.
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Banchs, E. (2025). This bridge called my back: The feminine-oriented consciousness behind ISMMS–Spain’s biennial research conference, its intersection with metal music studies and our journal. Metal Music Studies, 11(2), 209–216.
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