|
Banchs, E., & Hagen, R. (2025). An interview with Karl Spracklen. Metal Music Studies, 11(2), 283–286.
|
|
Barratt-Peacock, R. (2025). The figure of the child in metal music: Preliminary findings on form and function. Metal Music Studies, 11(2), 217–237.
|
|
Barratt-Peacock, R., & Herbst, J. - P. (2025). The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach. Metal Music Studies, 11(1), 65–89.
|
|
Barth, A. (2025). Das Geld liegt “auf dem Acker” – Analyse ausgewählter Musikfestivals im deutschsprachigen Raum als regionaler Wirtschaftsfaktor. In M. J. Bauer, & T. Naber (Eds.), Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland (pp. 199–224). München: utzverlag.
|
|
Bauer, M. J., & Naber, T. (2025). Menschen, Marken, Moshpits – Einführung in das Phänomen Metal-Festival. In Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland (pp. 13–27). München: utzverlag.
|
|
Bauer, M. J., & Naber, T. (Eds.). (2025). Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland. München: utzverlag.
|
|
Baur, K. (2025). Dark Medieval Times: Das Mittelalter im Metal [Dark Medieval Times: The Middle Ages in Metal Music]. Stuttgart: Kohlhammer.
|
|
Bénard, C. (2025). Reflecting on Rosemary Lucy Hill’s “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music”. Metal Music Studies, 11(2), 179–182.
|
Biamonte, N., & Cain, J. (2025). The Tool Album as Gesamtkunstwerk. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 415–430). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
|
|
Boulton, B. (2025). Unbreakable truths? Revisiting Deena Weinstein’s “Heavy Metal: The Music and Its Culture”. Metal Music Studies, 11(2), 111–115.
|
