|
Quires, V. J. (2025). Thine Voice is Oh So Sweet: Gothic Metal and Vocal Timbre Diversity. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 341–353). Abingdon; New York: Routledge.
|
|
Radovanović Šuput, B. (2025). Estetika ružnoće – zvuk i slika ekstremne metal glazbe [The Aesthetics of Ugliness – The Sound and Image of Extreme Metal Music]. Filozofska istraživanja, 45(3), 417–436.
|
|
Radovanović Šuput, B. (2025). Estetika ružnoće – zvuk i slika ekstremne metal glazbe [Aesthetics of Ugliness – Sound and Image of Extreme Metal Music]. Filozofska Istrazivanja, 45(3), 417–436.
|
Ringsmut, M. (2025). Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music. In C. Anderton, & L. Burns (Eds.), (Chapter 9). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
|
|
Ringsmut, M. (2025). Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal Music. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 107–116). Abingdon: Routledge.
|
Rix-Hayes, D. 'A., & Wilson, T. (2025). Punk Flyer Archive 1980-1990. Amherst, Massachusetts: Soundscape Press.
Abstract: << This is a comprehensive collection that captures the art and spirit of hardcore punk through authentic show flyers. This book preserves the gritty, DIY culture of the '80s hardcore scene, highlighting how these hand-drawn, Xeroxed, and pasted flyers became iconic symbols of a cultural revolution.
Fom coast to coast, these flyers became visual records of the sound, rage, and passion that transformed music and culture. Every page of this book captures the evolution, intensity, and DIY ethos that made the hardcore punk scene so powerful for so many. Get ready to relive a decade of unfiltered, raw, and uncompromising energy. >>
(SOURCE: https://www.amazon.com/Flyer-Archive-1980-1990-DArcy-Hayes/dp/1069156809/ )
|
Rix-Hayes, D. 'A., & Wilson, T. (2025). Punk Flyer Archive 1990-2000. Amherst, Massachusetts: Soundscape Press.
Abstract: << Punk Flyer Archive 1990-2000 picks up where its predecessor left off, chronicling the next turbulent decade of punk's evolution. With hundreds of images, including both classic and obscure bands, this 350+ page volume captures the scene as it splintered and globalized. >>
(SOURCE: https://www.amazon.com/Flyer-Archive-1990-2000-DArcy-Rix-Hayes/dp/1069156817/ )
|
|
Rosario-Luna, R. (2025). Puya como origen del Metal afrocaribeño: inicios de un análisis musical. AULA Revista de Humanidades y Ciencias Sociales, 72(1).
|
|
Rose, N. (2025). Die Vermessung des Metalheads: ein Studienbericht. In M. J. Bauer, & T. Naber (Eds.), Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland (pp. 59–90). München: utzverlag.
|
|
Rosenstein, A. (2025). Satanismus in der DDR [Satanism in the GDR]. Master's thesis, Universität Leipzig, Leipzig.
|