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Quires, V. J. (2025). Thine Voice is Oh So Sweet: Gothic Metal and Vocal Timbre Diversity. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 341–353). Abingdon; New York: Routledge.
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Radovanović Šuput, B. (2025). Estetika ružnoće – zvuk i slika ekstremne metal glazbe [The Aesthetics of Ugliness – The Sound and Image of Extreme Metal Music]. Filozofska istraživanja, 45(3), 417–436.
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Radovanović Šuput, B. (2025). Estetika ružnoće – zvuk i slika ekstremne metal glazbe [Aesthetics of Ugliness – Sound and Image of Extreme Metal Music]. Filozofska Istrazivanja, 45(3), 417–436.
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Ringsmut, M. (2025). Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music. In C. Anderton, & L. Burns (Eds.), (Chapter 9). Routledge Music Handbooks. Oxfordshire, England: Routledge.
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Ringsmut, M. (2025). Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal Music. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 107–116). Abingdon: Routledge.
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Rix-Hayes, D. 'A., & Wilson, T. (2025). Punk Flyer Archive 1980-1990. Amherst, Massachusetts: Soundscape Press.
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Rix-Hayes, D. 'A., & Wilson, T. (2025). Punk Flyer Archive 1990-2000. Amherst, Massachusetts: Soundscape Press.
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Rosario-Luna, R. (2025). Puya como origen del Metal afrocaribeño: inicios de un análisis musical. AULA Revista de Humanidades y Ciencias Sociales, 72(1).
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Rose, N. (2025). Die Vermessung des Metalheads: ein Studienbericht. In M. J. Bauer, & T. Naber (Eds.), Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland (pp. 59–90). München: utzverlag.
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Rosenstein, A. (2025). Satanismus in der DDR [Satanism in the GDR]. Master's thesis, Universität Leipzig, Leipzig.
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