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Herbst, J., & Mynett, M. (2025). Contemporary Approaches to Metal Music Production: Traditional Heavy Metal, Death Metal, and Metalcore. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 469–481). Abingdon; New York: Routledge.
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Herbst, J., & Smialek, E. (2025). “Mixed” Results. An Introduction to Analyzing Music Production through Eight Commissioned Metal Mixes. Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory], 22(1), 61–97.
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Hinrichs, P. (2025). Kulturelles Wissen, Genrespezifika und symbolische Interaktion im Kontext von Metalfestivals. In M. J. Bauer, & T. Naber (Eds.), Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland (pp. 31–58). München: utzverlag.
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Hoad, C. (2025). A retrospective of Laina Dawes’s “What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal”. Metal Music Studies, 11(2), 175–178.
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Hudson, S. S. (2025). A retrospective of “Running with the Devil” by Robert Walser. Metal Music Studies, 11(2), 117–120.
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Hudson, S. S. (2025). Recognizing Tonal Momentum and Echoes of Past Styles in Riff Turnarounds. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 37–50). Abingdon; New York: Routledge.
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Hutzel, A. (2025). Homo Festivus: Das Summer Breeze-Festival und seine Besucher. In Menschen, Marken, Moshpits. Wirtschaftliche und kommunikative Aspekte von Open-Air-Veranstaltungen am Beispiel von Metal-Festivals in Deutschland (pp. 91–124). München: utzverlag.
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Johnson, R. (2025). “Black Candles Burn”: Ghost’s Invitation to the Occult. Revenant, 12, 64–82.
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Kaban, S. (2025). The Evolution of the Bass Guitar in Metal Music: Its Function in Performance and Compositional Structure. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 270–286). Abingdon; New York: Routledge.
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King, C. (2025). Nu Metal’s Influential Vocal Composition: Tension and Release in the Music of Korn, Incubus, and Machine Head. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production (pp. 354–367). Abingdon; New York: Routledge.
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