Rottgeri, A. (2025). Populäre Musik & Artikulationen: Entwurf einer Typologie am Beispiel von Joe Satriani [Popular Music & Articulations: A Typology Based on the Example of Joe Satriani]. Schriften Zur Kultur- Und Mediensemiotik [Writings on Cultural and Media Semiotics], 11, 45–68.
Abstract: << André Rottgeri entwirft, am Beispiel der Biographie eines populären E-Gitarristen, eine Typologie der Artikulationen: „Populäre Musik & Artikulationen: Entwurf einer Typologie am Beispiel von Joe Satriani“. Diese sieht eine Unterscheidung nach Kreativem Output (Primäre Artikulationen in Form von Musik, Text, Bildmaterial) und kommentierenden Selbstzeugnissen der Künstler (Sekundäre Artikulationen, z.B. in Form von Interviews) vor. Sonstige Artikulationen werden hier unter den Begriffen Pädagogische, Wirtschaftliche und Technische Artikulationen zusammengefasst. Anhand einer Interview-Analyse zu Joe Satriani aus der Reihe Living Legends Music wird diese Klassifikation exemplarisch erprobt. >>
SOURCE: https://ojs.uni-passau.de/index.php/skms/article/view/11-2025-3
[“André Rottgeri, using the biography of a popular electric guitarist as an example, develops a typology of articulations: “Popular Music & Articulations: Designing a Typology Using Joe Satriani as an Example.” This typology distinguishes between creative output (primary articulations in the form of music, lyrics, and visuals) and the artists' own commentary (secondary articulations, e.g., in the form of interviews). Other articulations are grouped under the terms pedagogical, economic, and technical. This classification is then tested using an interview analysis of Joe Satriani from the Living Legends Music series.”]
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Heidl, S. E. (2025). Expanding the spiritual festival space: The online event community of a Hungarian festival. Social Compass, 72(2), 221–239.
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Sarkar, D. (2025). “A distant echo attracts me, fragrance of life beyond”: growing up a metalhead in India. South Asian History and Culture, 16(1), 14–27.
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Stolz, N. (2025). The Origin of Progressive Metal Lyrics in Black Sabbath’s Music. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 70–80). Routledge Music Handbooks. xfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Anderton, C., & Burns, L. (2025). Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal. In The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 1–14). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Burns, L. (2025). Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 161–174). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Schaller, M. K. (2025). “We are The Varangian Guard”: Musical Rhetoric and Literary Reference in Turisas’s Varangian Way Albums. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 190–203). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Fejes, J. (2025). “Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 204–214). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Mathioudakis, G. (2025). Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 215–223). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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Mądro, A. (2025). “Legend Never Dies”: Mythology and Canon of Literature in Symphony X’s Underworld. In C. Anderton, & L. Burns (Eds.), The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination (pp. 224–233). Routledge Music Handbooks. Oxfordshire, England: Routledge.
Abstract: << This an outstanding collection of chapters that explore the intersections between progressive rock, metal and the literary imagination. Each contribution here is a must-read and the editors have done an incredible job framing the
Handbook.
Karl Spracklen, PhD, AcSS
Leeds Beckett University, Portland >>
"This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.
The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism.
The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.
The book is aimed primarily at an academic market, valuable for second through final year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music and society."
Source for both: https://www.routledge.com
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