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Bénard, C. (2025). Reflecting on Rosemary Lucy Hill’s “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music”. Metal Music Studies, 11(2), 179–182.
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Thomson, A. (2025). On the road to heaviness: A retrospective of Dan Franklin’s “Heavy”. Metal Music Studies, 11(2), 183–186.
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González-Martínez, S. (2025). A retrospective of Nelson Varas-Díaz’s “Decolonial Metal Music in Latin America”. Metal Music Studies, 11(2), 187–191.
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Snyder, L. O. (2025). A reflection on Julie Turley and Joan Jocson-Singh’s “Heavy Music Mothers: Extreme Identities, Narrative Disruptions”. Metal Music Studies, 11(2), 193–196.
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Smialek, E. (2025). Recent dissertations in the analysis of metal genres: Foundational texts for the future. Metal Music Studies, 11(2), 197–202.
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Banchs, E. (2025). This bridge called my back: The feminine-oriented consciousness behind ISMMS–Spain’s biennial research conference, its intersection with metal music studies and our journal. Metal Music Studies, 11(2), 209–216.
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Barratt-Peacock, R. (2025). The figure of the child in metal music: Preliminary findings on form and function. Metal Music Studies, 11(2), 217–237.
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Parker, R., & Spracklen, K. (2025). Highway to hell or stairway to heaven: Making sense of the rock and metal scenes in Bradford and Leeds, West Yorkshire 1980–2005. Metal Music Studies, 11(2), 239–256.
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Smolík, J., Pospíšil, J., & Olecká, I. (2025). Forging a subcultural identity in the context of gender inequalities, generational bridges and symbolic security in Czech metal. Metal Music Studies, 11(2), 257–278.
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Burke, D. (2025). ISMMS 7th Biennial Research Conference on Metal Music Studies, hosted by Susana González-Martínez, Setas de Sevilla, Seville, 3–6 June 2025. Metal Music Studies, 11(2), 279–282.
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