Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Barratt-Peacock, Ruth |
The figure of the child in metal music: Preliminary findings on form and function |
2025 |
Metal Music Studies |
11 |
217-237 |
| Barratt-Peacock, Ruth |
Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour |
2022 |
Metal Music Studies |
8 |
293-308 |
| Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
| Barratt-Peacock, Ruth |
Medieval Metal and Temporal Dislocation in the Construction of Alternative Identities in the Contemporary German Reenactment Scene |
2015 |
|
|
|
| Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
| Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
| Barratt-Peacock, Ruth; Herbst, Jan-Peter |
The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach |
2025 |
Metal Music Studies |
11 |
65-89 |
