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Author (up) Title Year Publication Volume Pages
Hoad, Catherine Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness” 2023 Rock Music Studies t.b.c.
Hoad, Catherine Heavy Metal Music, Texts, and Nationhood: (Re)sounding Whiteness 2021
Hoad, Catherine Polar Fate: Mapping Metal at the Southern Edge of the World 2021 Living Metal: Metal Scenes around the World
Hoad, Catherine Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? 2019 Australian Metal Music 1-18
Hoad, Catherine ’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost 2018 Popular Music; Cambridge 37 175-192
Hoad, Catherine Slashing through the boundaries: Heavy metal fandom, fan fiction and girl cultures 2017 Metal Music Studies 3 5-22
Hoad, Catherine Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes 2015 Modern Heavy Metal: Markets, Practices and Cultures 300-308
Hoad, Catherine ”Ons is saam” – Afrikaans metal and rebuilding whiteness in the Rainbow Nation 2014 International Journal of Community Music 7 189-204
Hoad, Catherine ’Hold the Heathen Hammer High’ Viking metal from the local to the global 2013 Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. 62-70
Hoad, Catherine “Images and words”: Textual analysis and its uses for metal music studies The Bloomsbury Handbook of Popular Music and Youth Culture 151-169