Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Herbst, Jan; Smialek, Eric |
“Mixed” Results. An Introduction to Analyzing Music Production through Eight Commissioned Metal Mixes |
2025 |
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] |
22 |
61-97 |
| Smialek, Eric |
Recent dissertations in the analysis of metal genres: Foundational texts for the future |
2025 |
Metal Music Studies |
11 |
197-202 |
| Smialek, Eric |
“All Shall Scream”: Transposable Lessons from Pierre-Luc Senécal’s Hate.Machine for Growlers Choir |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
309-326 |
| Smialek, Eric |
Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
123-154 |
| Smialek, Eric |
Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetic |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
35-56 |
| Smialek, Eric |
The Unforgiven: A Reception Study of Metallica Fans and ‘Sell-Out’ Accusations |
2016 |
Global metal music and culture: current directions in metal studies |
|
106-124 |
| Smialek, Eric |
Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah’s ”I” and ”Catch Thirtythr33.” |
2009 |
|
|
|
| Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
| Smialek, Eric; Bassler, Samantha |
Dis-ruptions: Heavy Metal Appropriations of Disability in Media |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
95-112 |
| St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
