Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
| Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
| Olson, Benjamin Hedge |
Within the perpetual pentagram: Religious discourse in the Hawai‘i metal scene |
2017 |
Metal Music Studies |
3 |
47-62 |
| Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
| Pack, Christian |
‘Severed Reality’: Representations of reality in Salvadoran tribal metal |
2018 |
Metal Music Studies |
4 |
187-196 |
| Pack, Christian |
Salvadoran Metal and the Questioning of National Identity |
2015 |
|
|
|
| Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
2018 |
Arte y Políticas de Identidad; Murcia |
19 |
183-200 |
| Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
| Pichler, Peter |
The power of the imagination of historical distance: Melechesh’ ‘Mesopotamian Metal’ as a musical attempt of solving cultural conflicts in the twenty-first century |
2017 |
Metal Music Studies |
3 |
97-112 |
| Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico |
2018 |
Metal Music Studies |
4 |
165-174 |
