| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Spracklen, Karl |
What did the norwegians ever do for us? Actor-network theory, the second wave of black metal and the imaginary community of heavy metal |
2016 |
Heavy Metal Music and the Communal Experience |
|
151-168 |
| Calvo, Manuela Belén |
Perspectiva indigenista en la música metal de Argentina |
2018 |
Metal Music Studies |
4 |
147-154 |
| Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
| Williams, Duncan; Da Rocha, Marcio Alves |
Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura |
2017 |
Metal Music Studies |
3 |
145-152 |
| Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
| Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
| Spanu, Michael |
Global noise, local language: A socio-anthropological approach of the language choice in underground French metal |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
122-130 |
| Calvo, Manuela |
Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte |
2014 |
Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística |
|
120-137 |
| Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
| Christensen, Annika |
Making Heritage Metal: Faroese Kvæði and Viking Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
107-120 |
