| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Lucas, Olivia |
Kentucky: Sound, Environment, History – Black Metal And Appalachian Coal Culture |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
555-563 |
| Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
| Burns, Robert G.H. |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
2008 |
Popular Music; Cambridge |
27 |
457-472 |
| Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
| Spracklen, Karl |
‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden |
2017 |
Metal Music Studies |
3 |
405-419 |
| Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
| Urtaza, Eugenio Manuel Otero |
Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia |
2020 |
Historia y Memoria de la Educación |
|
271-332 |
| Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
| Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
| Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
