| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Spanu, Michael |
Global noise, local language: A socio-anthropological approach of the language choice in underground French metal |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
122-130 |
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
| Cheung, Oi Wun Joyce |
Heavy metal music lyrics: identity construction and social struggle |
2016 |
|
|
|
| Ferrarese, Marco |
Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
195-205 |
| Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
2018 |
Arte y Políticas de Identidad; Murcia |
19 |
183-200 |
| Urtaza, Eugenio Manuel Otero |
Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia |
2020 |
Historia y Memoria de la Educación |
|
271-332 |
| Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
| Manea, Irina-Maria |
Interludium: Die völkische Dimension des Black Metal |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
75-82 |
| Lucas, Olivia |
Kentucky: Sound, Environment, History – Black Metal And Appalachian Coal Culture |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
555-563 |
