| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. |
Affective overdrive, scene dynamics, and identity in the global metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
3-33 |
| Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
| Calvo, Manuela Belén |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
2016 |
Metal Music Studies |
2 |
21-38 |
| Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico |
2018 |
Metal Music Studies |
4 |
175-186 |
| Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
| Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
| Williams, Duncan; Da Rocha, Marcio Alves |
Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura |
2017 |
Metal Music Studies |
3 |
145-152 |
| Downing, Danny |
Defending the Realm: National Identity, Heritage and Nationalism in Black Metal |
2012 |
|
|
|
| Calvo, Manuela |
Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte |
2014 |
Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística |
|
120-137 |
| Walzer, Nicolas |
Du paganisme ? Nietzsche : se construire dans le Metal |
2010 |
|
|
|
