| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
| Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
| Burns, Robert G.H. |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
2008 |
Popular Music; Cambridge |
27 |
457-472 |
| Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
2018 |
Arte y Políticas de Identidad; Murcia |
19 |
183-200 |
| Kallioniemi, Kari; Kärki, Kimi |
The Kalevala, Popular Music, and National Culture |
2009 |
Popular Music |
13 |
12 |
| Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
| Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
| Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
| Tolvanen, Hannu |
The quiet past and the loud present: the Kalevala and heavy metal |
2006 |
Volume! La revue des musiques populaires |
5 |
75-89 |
| Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
