| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
| Cheung, Oi Wun Joyce |
Heavy metal music lyrics: identity construction and social struggle |
2016 |
|
|
|
| Deeks, Mark David |
National Identity in Northern and Eastern European Heavy Metal |
2016 |
|
|
|
| Manea, Irina-Maria |
Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community |
2016 |
Sociology and Anthropology |
4 |
82-91 |
| Manea, Irina Maria |
Valhalla Rising: The Construction of Cultural Identity through Norse Myth in Scandinavian and German Pagan Metal |
2016 |
|
|
|
| Manea, Irina-Maria |
Interludium: Die völkische Dimension des Black Metal |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
75-82 |
| Spracklen, Karl |
What did the norwegians ever do for us? Actor-network theory, the second wave of black metal and the imaginary community of heavy metal |
2016 |
Heavy Metal Music and the Communal Experience |
|
151-168 |
| Calvo, Manuela Belén |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
2016 |
Metal Music Studies |
2 |
21-38 |
| Kaiser, Maisie |
Gender, Identity, and Power in Metal Music Scenes |
2016 |
|
|
|
| Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
