| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Mulvany, Aaron P. |
”Reawakening pride once lost”: indigeneity and European folk metal |
2000 |
|
|
|
| Tolvanen, Hannu |
The quiet past and the loud present: the Kalevala and heavy metal |
2006 |
Volume! La revue des musiques populaires |
5 |
75-89 |
| Burns, Robert G.H. |
German symbolism in rock music: national signification in the imagery and songs of Rammstein |
2008 |
Popular Music; Cambridge |
27 |
457-472 |
| Kallioniemi, Kari; Kärki, Kimi |
The Kalevala, Popular Music, and National Culture |
2009 |
Popular Music |
13 |
12 |
| Scott, Niall (ed) |
The metal void: first gatherings |
2010 |
|
|
|
| Walzer, Nicolas |
Du paganisme ? Nietzsche : se construire dans le Metal |
2010 |
|
|
|
| Folgueira Lombardero, Pablo |
La idea de historia en el heavy metal español |
2010 |
Tiempo y Sociedad |
3 |
5-41 |
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Hochhauser, Sharon |
The marketing of Anglo-identity in the North American hatecore metal industry |
2011 |
Metal rules the globe: heavy metal music around the world |
|
161-179 |
| Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
