Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
| Benard, Charlène |
Who Listens to “Metal for Girls”? Metal, Orchestra and Female Voices: Measuring the Reception of Symphonic Metal in France, Between Middle Class and Gender |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
211-234 |
| Berkers, Pauwke; Schaap, Julian |
Gender Inequality in Metal Music Production |
2016 |
|
|
|
| Beya, Sara |
Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music |
2020 |
|
|
|
| Binas, Susanne |
«Keep It Hard, Keep It Heavy» Zu einigen Aspekten soziokorporeller Kommunikationsmuster im Prozeß der Geschlechtersozialisation |
1992 |
PopScriptum |
1 |
96-111 |
| Brill, Dunja |
White men’s War of Sound? Sonische und Diskursive Gewalt im Industrial und Extreme Metal |
2016 |
Rohe Beats, harte Sounds : populäre Musik und Aggression |
|
105-118 |
| Brown, Andy R. |
”Girls like metal, too!” Female reader’s engagement with the masculinist culture of the tabloid metal magazine |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
163-181 |
| Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
| Calvo, Manuela Belén |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
163-186 |
| Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
2022 |
Trans: Revista Transcultural de Música |
26 |
1-16 |
