| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
|
|
|
Gregof, Nancy |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
2022 |
Metal de Habla Hispana |
1 |
118-121 |
|
|
|
Grünwald, Jan G. |
Male spaces: Bildinszenierungen archaischer Männlicheiten im Black Metal |
2012 |
|
|
|
|
|
|
Gutiérrez Torrico, Daniela Adriana |
El underground en el marco de la Industria Cultural: Una lectura del metal extremo desde la Teoría Crítica |
2024 |
La fuerza, influencia y tensiones de las mujeres del underground/metal boliviano |
|
29-50 |
|
|
|
Hassan, Nedim |
”Girls, girls, girls”? The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years |
2011 |
Popular Music History |
5 |
243-263 |
|
|
|
Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
|
|
|
Heesch, Florian |
Heavy Metal and Gender: An Introduction |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
1-10 |
|
|
|
Heesch, Florian |
Metal for Nordic men? Amon Amarth’s representations of Vikings |
2012 |
Reflections in the metal void |
|
167-182 |
|
|
|
Heesch, Florian |
Metal for Nordic men? Amon Amarth’s representation of Vikings |
2010 |
The metal void: first gatherings |
|
71-81 |
|
|
|
Heesch, Florian |
Black Metal-Sirenen Mythenrezeption und Weiblichkeitsbilder bei Astarte |
2009 |
History – herstory: alternative Musikgeschichten |
|
389-404 |
|
