| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Yamamoto, André R.P.I. |
A fúria dos homes do norte: viking metal e o cristianismo |
2011 |
Anais do 3º Encontro do GT Nacional de História das Religiões e Religiosidades – ANPUH: ”Questões teórico-metodológicas no estudo das religiões e religiosidades” |
3 |
snp. |
|
|
|
Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
|
|
|
Heritage, Gareth |
Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal |
2016 |
Metal Music Studies |
2 |
57-68 |
|
|
|
Gregof, Nancy |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
2022 |
Metal de Habla Hispana |
1 |
118-121 |
|
|
|
Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
|
|
|
Shadrack, Jasmine Hazel |
Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss |
2020 |
|
|
|
|
|
|
Heesch, Florian |
Black Metal-Sirenen Mythenrezeption und Weiblichkeitsbilder bei Astarte |
2009 |
History – herstory: alternative Musikgeschichten |
|
389-404 |
|
|
|
Patterson, Jamie E. |
Blasting Britney on the Way to Goatwhore: Identity and Authenticity among Female-identified Fans in Semi-rural North Carolina |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
|
|
|
Grant, Judith |
Boys Interrupted: The Drama of Male Bonding in Some Kind of Monster |
2007 |
Metallica and Philosophy: a crash course in brain surgery |
|
219-231 |
|
|
|
Grant, Judith |
Bring the Noise: Hypermasculinity in Heavy Metal and Rap |
1996 |
Journal of Social Philosophy |
27 |
5-31 |
|
