| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
| Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
| Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Eliot; González, Osvaldo |
Metal as a vehicle for critical culture in Latin America and the Caribbean: challenging traditional female gender roles through music |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Spracklen, Karl |
‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden |
2017 |
Metal Music Studies |
3 |
405-419 |
| Hoad, Catherine |
Slashing through the boundaries: Heavy metal fandom, fan fiction and girl cultures |
2017 |
Metal Music Studies |
3 |
5-22 |
| Porrovecchio, Mark J. |
Female rhetoric: Identity, persona and the academic and popular divide in the (cultural and critical) study of metal |
2017 |
Metal Music Studies |
3 |
329-334 |
| Allué Montilla, Ivan |
Mujeres, rock & heavy metal: ?quién dijo sexo débil? |
2017 |
|
|
|
| Hill, Rosemary Lucy |
Gender, metal and the media: women fans and the gendered experience of music |
2016 |
|
|
|
| Heesch, Florian; Scott, Niall (eds) |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
2016 |
|
|
|
| Kaiser, Maisie |
Gender, Identity, and Power in Metal Music Scenes |
2016 |
|
|
|
