| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Heritage, Gareth |
Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal |
2016 |
Metal Music Studies |
2 |
57-68 |
| Patterson, Jamie E. |
‘Getting My Soul Back’: Empowerment Narratives and Identities among Women in Extreme Metal in North Carolina |
2016 |
Global metal music and culture: current directions in metal studies |
|
245-260 |
| Vasan, Sonia |
Gender and Power in the Death Metal Scene: A Social Exchange Perspective |
2016 |
Global metal music and culture: current directions in metal studies |
|
261-276 |
| Hill, Rosemary Lucy |
Masculine Pleasure? Women’s Encounters with Hard Rock and Metal Music |
2016 |
Global metal music and culture: current directions in metal studies |
|
277-296 |
| Berkers, Pauwke; Schaap, Julian |
Gender Inequality in Metal Music Production |
2016 |
|
|
|
| Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
| Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
| Heesch, Florian |
Heavy Metal and Gender: An Introduction |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
1-10 |
| Weinstein, Deena |
Playing with Gender in the Key of Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
11-25 |
| Kahn-Harris, Keith |
”Coming Out”: Realising the Possibilities of Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
26-38 |
