| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Erbe, Marcus |
”This isn’t over ‘til I say it’s over!” Narratives of Male Frustration in Deathcore and Beyond |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
182-192 |
| Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
| Grajdian, Maria |
Liquid Identity: Love, Heavy Metal and the Dynamics of Gender in Anime Soundtracks |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
209-226 |
| Ribeiro, Hugo |
Heavy, Death and Doom Metal in Brazil: A Study on the Creation and Maintenance of Stylistic Boundaries within Metal Bands |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
227-244 |
| Overell, Rosemary |
Brutal Masculinity in Osaka’s Extreme-metal Scene |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
245-257 |
| Nilsson, Magnus |
Race and Gender in Globalized and Postmodern Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
258-272 |
| Patterson, Jamie Estella |
’Getting my soul back’: Empowerment narratives among female-identified fans of death metal in North Carolina |
2016 |
|
|
|
| Patterson, Jamie E. |
Blasting Britney on the Way to Goatwhore: Identity and Authenticity among Female-identified Fans in Semi-rural North Carolina |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
| Kummer, Jenna |
Powerslaves? Navigating Femininity in Heavy Metal |
2016 |
Heavy Metal Studies and Popular Culture |
|
|
| Brill, Dunja |
White men’s War of Sound? Sonische und Diskursive Gewalt im Industrial und Extreme Metal |
2016 |
Rohe Beats, harte Sounds : populäre Musik und Aggression |
|
105-118 |
