Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Stolz, Nolan |
Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
69-83 |
| Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
| Scotto, Ciro |
Dream Theater’s The Astonishing: The Unification of the Literary and the Musical |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
302-314 |
| Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
| Schaller, Milan K. |
“We are The Varangian Guard”: Musical Rhetoric and Literary Reference in Turisas’s Varangian Way Albums |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
190-203 |
| Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
| Roby, David Allen |
Crust Punk: An Anarchist Political Epistemology |
2021 |
|
|
204 |
| Ringsmut, Martin |
Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music |
2025 |
|
|
Chapter 9 |
| Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
| Prozak, Spinoza Ray |
Heavy Metal FAQ: Introduction to Metal Music and Culture |
2012 |
Dark Legions Archive: Black metal, death metal, grindcore, thrash and heavy metal reviews from the net's original heavy metal site |
|
1-91 |
