Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
| Patterson, Dayal |
Black Metal: Evolution of the Cult |
2013 |
|
|
|
| Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
| Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
| Núñez, María de la Luz |
De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. |
2022 |
|
|
103 |
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Miller, Michael Brian |
Nicodemus! The beds are burning again: The ascension of Gorgomath |
2016 |
|
|
163 |
| Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
| Milazzo, Alex (ed) |
Ripping Tongues: Metal for Free Speech, Free Thought, and Free Expression |
2024 |
|
|
320 |
| McLaughlin, Adria Ryan |
Navigating Gender Inequality in Musical Subgenres |
2015 |
|
|
52 |
