| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
|
|
|
Mathioudakis, Grigorios |
Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
215-223 |
|
|
|
Mądro, Andrzej |
“Legend Never Dies”: Mythology and Canon of Literature in Symphony X’s Underworld |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
224-233 |
|
|
|
Lilja, Esa |
Perspectives on Harmony in Early Heavy Metal: Chords, Modes, Functions, and Texture |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
13-36 |
|
|
|
Liew, Kai Khiun; Fu, Kelly |
Conjuring the tropical spectres: heavy metal, cultural politics in Singapore and Malaysia |
2006 |
Inter-Asia Cultural Studies |
7 |
99-112 |
|
|
|
Kennedy, Lewis F. |
Intersections of genre, heritage and place un the New Wave of American Heavy Metal |
2021 |
Music and Heritage: New Perspectives on Place-making and Sonic Identity |
|
126-135 |
|
|
|
Kahn-Harris, Keith |
The Beautiful Death of Ozzy Osbourne: How Metal Teaches Us To Live |
2026 |
|
|
224 |
|
|
|
Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
|
|
|
Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
|
|
|
Howells, Tom (ed) |
Black Metal: Beyond the Darkness |
2012 |
|
|
|
|
