Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Kennedy, Lewis F. |
Intersections of genre, heritage and place un the New Wave of American Heavy Metal |
2021 |
Music and Heritage: New Perspectives on Place-making and Sonic Identity |
|
126-135 |
| Liew, Kai Khiun; Fu, Kelly |
Conjuring the tropical spectres: heavy metal, cultural politics in Singapore and Malaysia |
2006 |
Inter-Asia Cultural Studies |
7 |
99-112 |
| Lilja, Esa |
Perspectives on Harmony in Early Heavy Metal: Chords, Modes, Functions, and Texture |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
13-36 |
| Mądro, Andrzej |
“Legend Never Dies”: Mythology and Canon of Literature in Symphony X’s Underworld |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
224-233 |
| Mathioudakis, Grigorios |
Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
215-223 |
| McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
| McLaughlin, Adria Ryan |
Navigating Gender Inequality in Musical Subgenres |
2015 |
|
|
52 |
| Milazzo, Alex (ed) |
Ripping Tongues: Metal for Free Speech, Free Thought, and Free Expression |
2024 |
|
|
320 |
| Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
| Miller, Michael Brian |
Nicodemus! The beds are burning again: The ascension of Gorgomath |
2016 |
|
|
163 |
