| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
| Herbst, Jan; Mynett, Mark |
Contemporary Approaches to Metal Music Production: Traditional Heavy Metal, Death Metal, and Metalcore |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
469-481 |
| Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
| Biamonte, Nicole; Cain, Jerry |
The Tool Album as Gesamtkunstwerk |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
415-430 |
| Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
| Castillo Bernal, Stephen |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
2015 |
|
|
343 |
| Milazzo, Alex (ed) |
Ripping Tongues: Metal for Free Speech, Free Thought, and Free Expression |
2024 |
|
|
320 |
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
| Girard-Despraulex, Elise |
Storytelling, Narrative, and Coherence in Avatar’s “Feathers and Flesh (In His Own Words)” (2027) |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
315-326 |
