| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
| Hereld, Diana Christine |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
2016 |
|
|
141 |
| Kennedy, Lewis F. |
Intersections of genre, heritage and place un the New Wave of American Heavy Metal |
2021 |
Music and Heritage: New Perspectives on Place-making and Sonic Identity |
|
126-135 |
| Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
| Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
| Núñez, María de la Luz |
De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. |
2022 |
|
|
103 |
| Liew, Kai Khiun; Fu, Kelly |
Conjuring the tropical spectres: heavy metal, cultural politics in Singapore and Malaysia |
2006 |
Inter-Asia Cultural Studies |
7 |
99-112 |
| Vaughn, Erin M. |
Harmonic resources in 1980s hard rock and heavy metal music |
2015 |
|
|
94 |
| McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
| Stolz, Nolan |
The Origin of Progressive Metal Lyrics in Black Sabbath’s Music |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
70-80 |
