| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
| Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
| Tsatsishvili, Valeri |
Automatic Subgenre Classification of Heavy Metal Music |
2011 |
|
|
65 |
| Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
| Howells, Tom (ed) |
Black Metal: Beyond the Darkness |
2012 |
|
|
|
| Patterson, Dayal |
Black Metal: Evolution of the Cult |
2013 |
|
|
|
| Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
| Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
| Liew, Kai Khiun; Fu, Kelly |
Conjuring the tropical spectres: heavy metal, cultural politics in Singapore and Malaysia |
2006 |
Inter-Asia Cultural Studies |
7 |
99-112 |
| Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
2022 |
Trans: Revista Transcultural de Música |
26 |
1-16 |
