| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
2022 |
Trans: Revista Transcultural de Música |
26 |
1-16 |
|
|
|
Castillo Bernal, Stephen |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
2007 |
Fuentes Humanísticas |
19 |
43-57 |
|
|
|
Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
|
|
|
Liew, Kai Khiun; Fu, Kelly |
Conjuring the tropical spectres: heavy metal, cultural politics in Singapore and Malaysia |
2006 |
Inter-Asia Cultural Studies |
7 |
99-112 |
|
|
|
Verne, Markus |
“A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar |
2017 |
|
4 |
58-77 |
|
|
|
Burns, Lori |
Kamelot’s Adaptation of Goethe’s Faust: Tragic Subjectivities in Power Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
161-174 |
|
|
|
Fejes, János |
“Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
204-214 |
|
|
|
Golovin, Aleksandar |
Royal Hunt’s Adaptation of Ray Bradbury’s Fahrenheit 451 and the Interplay Between Narrativity and Western Art Music |
2025 |
|
|
Chapter 12 |
|
|
|
Ringsmut, Martin |
Into the Storm: Blind Guardian’s Nightfall in Middle Earth and the Tolkien Reception in German Metal music |
2025 |
|
|
Chapter 9 |
|
|
|
Anderton, Chris; Burns, Lori |
Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
1-14 |
|