| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Calandra, Nicole |
Metal health: Measuring depression and anxiety within the heavy metal community |
2016 |
|
|
41 |
| Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
| Temkin, Daniel |
Intricate Machines for String Quartet |
2016 |
|
|
|
| Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
| Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
| Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
| Wang, Chi-Chung. |
Subcultural Distinction in East Asian Education : the Case of High School Rock in Taiwan |
2017 |
|
|
|
| Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
| Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
| Verne, Markus |
“A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar |
2017 |
|
4 |
58-77 |
