| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Stolz, Nolan |
Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
69-83 |
| Lilja, Esa |
Perspectives on Harmony in Early Heavy Metal: Chords, Modes, Functions, and Texture |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
13-36 |
| Biamonte, Nicole; Cain, Jerry |
The Tool Album as Gesamtkunstwerk |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
415-430 |
| Girard-Despraulex, Elise |
Storytelling, Narrative, and Coherence in Avatar’s “Feathers and Flesh (In His Own Words)” (2027) |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
315-326 |
| Coggins, Owen |
“A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
244-256 |
| Scotto, Ciro |
Dream Theater’s The Astonishing: The Unification of the Literary and the Musical |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
302-314 |
| Tuttle, Joshua B. |
Recovery, Escape, and Consolation: Uriah Heep’s The Magician’s Birthday as Fairy-Story |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
234-243 |
| Mathioudakis, Grigorios |
Keeper of the Seven Keys: Fantastical Themes of Ironic Ambivalence at the Birth of Power Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
215-223 |
| Fejes, János |
“Enuma Elish is Re-written”: A Quantitative Survey of Mesopotamian Mythology’s Reception in Metal Lyrics |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
204-214 |
| Schaller, Milan K. |
“We are The Varangian Guard”: Musical Rhetoric and Literary Reference in Turisas’s Varangian Way Albums |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
190-203 |
