| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Seiler, Sascha |
Ästhetische Codierungen als Marketing-Instrument und ihre Brüche: Die Band Kiss und das Ende der 70er Jahre |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
125-136 |
| Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
| Messick, Kyle J. |
Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues |
2021 |
The Societal Impacts of Covid-19: A Transnational Perspective |
|
93-108 |
| Banchs, Edward |
When the Steel City paused: Pittsburgh’s metal scene confronts COVID-19 |
2024 |
Metal Music Studies |
2 |
91-103 |
| Zenerian, Eleftherios |
Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies |
2019 |
Metal Music Studies |
5 |
89-106 |
| Minore, Gito |
Producir metal. Autogestión, independencia, mainstream |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
27-32 |
| Guibert, Gérôme |
Les spécificités culturelles de la production de musique metal. Le cas de l’industrie de la musique live en France |
2019 |
Volume! La revue des musiques populaires |
15:2 |
25-35 |
| Laaksonen, Laura; Ainamo, Antti; Karjalainen, Toni-Matti |
Entrepreneurial passion: an explorative case study of four metal music ventures |
2011 |
Journal of Research in Marketing and Entrepreneurship; Spokane |
13 |
18-36 |
| Scarrone, Luciano |
Genre Violence: Argentinean Heavy Metal in the Music Market |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
16-27 |
| Scaricaciottoli, Emiliano; Minore, Gito (eds) |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
2021 |
|
|
|
