| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
| Zenerian, Eleftherios |
Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies |
2019 |
Metal Music Studies |
5 |
89-106 |
| Podoshen, Jeffrey S. |
Constructing black metal mythology for global monopoly: #ittakescourage |
2018 |
Metal Music Studies |
4 |
375-380 |
| Kummer, Jenna |
‘I Remember You’: Exploring glam metal’s re-emergence in contemporary metal music markets |
2017 |
Metal Music Studies |
3 |
421-436 |
| Netherton, Jason |
The entrepreneurial imperative: Recording artists in extreme metal music proto-markets |
2017 |
Metal Music Studies |
3 |
369-386 |
| Mccombe, John |
Authenticity, artifice, ideology: Heavy metal video and MTV’s ‘Second Launch’, 1983–1985 |
2016 |
Metal Music Studies |
2 |
405-411 |
| Berkers, Pauwke; Schaap, Julian |
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers |
2015 |
Metal Music Studies |
1 |
303-318 |
| Waksman, Steve |
Arenas of the imagination: global tours and the heavy metal concert in the 1970s |
2011 |
Metal rules the globe: heavy metal music around the world |
|
227-246 |
| Kawano, Kei; Hosokawa, Shuhei |
Thunder in the Far East: the heavy metal industry in 1990s japan |
2011 |
Metal rules the globe: heavy metal music around the world |
|
247-270 |
| Hutabarat, Felencia; Kusumah, Iman Rahman Anggawiria |
Market Development Using Community Shared Values: The Story Of Burgerkill |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
532-543 |
