| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
| Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
| Tucker, John |
Neat & Tidy: the story Of Neatrecords |
2015 |
|
|
|
| Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
| Minore, Gito |
Producir metal. Autogestión, independencia, mainstream |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
27-32 |
| Reis Alecrim, Thales |
The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) |
2021 |
|
|
|
| Nohr, Rolf F.; Schwaab, Herbert (eds) |
”Metal matters”. Heavy Metal als Kultur und Welt |
2011 |
|
|
|
| Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
| Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. (eds) |
Metal rules the globe: heavy metal music around the world |
2011 |
|
|
|
| Schedelmann, Armin |
Heavy Metal: eine Anleitung zum schwermetallischen Erfolg |
2008 |
|
|
|
