| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Lind, Tore Tvarnø |
no Fan Of Copy/Paste Music”: Hardcore, Nostalgia And Music Production In Off-Modern Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
544-554 |
| Burns, Lori; Scotto, Ciro (eds) |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
2025 |
|
|
520 total pages |
| Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
| Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
| Herbst, Jan; Mynett, Mark |
Contemporary Approaches to Metal Music Production: Traditional Heavy Metal, Death Metal, and Metalcore |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
469-481 |
| Hemery, David |
Black Metal and the Sonic Search for Nature |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
456-468 |
| Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
| Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
| Gamble, Steven; Kennedy, Lewis |
Fragmented and Distributed Production Practices in 21st Century Metal Music: From the Studio to the Bedroom (and Back Again?) |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
411-426 |
| Thomas, Niall |
Masters of Reality: The (De)construction of Reality in the Production of Metal Music |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
397-410 |
