| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
| Olsen, Kirk N.; Thompson, William Forde; Giblin, Iain |
Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music |
2018 |
Music Perception; Berkeley |
35 |
|
| Herbst, Jan; Smialek, Eric |
“Mixed” Results. An Introduction to Analyzing Music Production through Eight Commissioned Metal Mixes |
2025 |
Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] |
22 |
61-97 |
| Flaherty, Eoin |
The three worlds of heavy metal: Inequality and the political economy of metal music |
2025 |
Metal Music Studies |
11 |
43-64 |
| Herbst, Jan-Peter; Mynett, Mark |
Lorna Shore’s ‘To the Hellfire’: A study in heaviness |
2023 |
Metal Music Studies |
9 |
189-213 |
| Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
| Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
| Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
| Andrew, Laghos; Panayiotis, Laghos |
Audio recording of rock/metal music using personal computers |
2009 |
Journal of Communication and Computer |
6 |
28-34 |
| Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
