Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Cifuentes Cubillos, Carolina |
La “escena metalera”” bogotana como lugar de representaciones de género. Aproximación a las trayectorias y representaciones de género de las mujeres aficionadas al heavy metal durante dos décadas (2000-2020) |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
42-47 |
| Córdoba, Jesús Antonio; Cuchivague, Karen Ortiz |
Female participation in Colombian metal: An initial approach |
2021 |
Metal Music Studies |
7 |
159-170 |
| Crowcroft, Orlando |
Rock in a Hard Place: Music and Mayhem in the Middle East |
2017 |
|
|
|
| Da Silva, Bernard Arthur |
“Metal City”: Apontamentos sobre a história do Heavy Metal produzido em Belém do Pará (1982 – 1993) |
2014 |
|
|
|
| Dairianathan, Eugene |
Vedic metal and e-mediated space: a perspective from Singapore |
2013 |
Asian Journal of Communication |
23 |
348-367 |
| Dairianathan, Eugene |
Vedic Metal and Urban Soundscapes: A Perspective from Singapore |
2012 |
Hidden Cities: Understanding Urban Popcultures |
|
197-205 |
| Dairianathan, Eugene |
The Burden of Song: Vedic Metal in Singapore |
2012 |
Journal of Creative Communications |
7 |
243-260 |
| Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
| Dairianathan, Eugene I. |
Vedic metal and the South Indian community in Singapore: problems and prospects of identity |
2009 |
Inter-Asia Cultural Studies |
10 |
585-608 |
| Dairianathan, Eugene; Hoo, Lum Chee |
Vedic metal: issues of local practice, popular music and education |
2010 |
|
|
32-38 |
