| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
| Verne, Markus |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
2021 |
Die Handlungsmacht ästhetischer Objekte |
|
167-196 |
| Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico |
2018 |
Metal Music Studies |
4 |
165-174 |
| Skelchy, Russell P. |
Worshippers of the sugarcane fields: Agrarian politics, symbolic inversion and black metal in Indonesia |
2019 |
Metal Music Studies |
5 |
163-186 |
| Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
| Rodríguez Molinari, María Ximena |
In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
161-182 |
| Córdoba, Jesús Antonio; Cuchivague, Karen Ortiz |
Female participation in Colombian metal: An initial approach |
2021 |
Metal Music Studies |
7 |
159-170 |
| Lopes, Pedro A.L. |
Mundo heavy metal no Rio de Janeiro |
2007 |
Rio de Janeiro: cultura, política e conflito |
|
156-190 |
| Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
| Hamma, Amine; Guibert, Gérome |
De l’internationale-metal au conflit sociétal local : la scène de Casablanca. Entretien avec Amine Hamma |
2006 |
Volume! La revue des musiques populaires |
5 |
153-177 |
