| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Granado, Rui Luiz Ferreira; Valente, Heloisa de Aaujo Duarte |
From the Sound of the Lathes to the Noise of the Amplifiers: The Heavy Metal and the Music Scene in the ABC Region of Brazil (1980-1990) |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Varas-Díaz, Nelson; González-Sepúlveda, Osvaldo; Rivera Amador, Andrés |
From the ‘Patio’ to the ‘Agency’: The emergence and structuring of metal music in revolutionary Cuba |
2018 |
Metal Music Studies |
4 |
137-146 |
| Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
| Soria, Fernando |
Fuerte y claro: historia del metal en Uruguay |
2018 |
|
|
|
| Epp, André |
Gemeinsamkeiten im politischen Heavy Metal? Eine regionale Gegenüberstellung der politischen Dimension von Heavy Metal in der MENA-Staaten und on westlichen Ländern |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
151-165 |
| Avelar, Idelber |
Genealogías y Contrastes en el Heavy Metal Brasileño |
2009 |
TodaVÍA |
21 |
62-67 |
| Scarrone, Luciano |
Genre Violence: Argentinean Heavy Metal in the Music Market |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
16-27 |
| Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
| Viteri Morejón, Juan Pablo |
Hardcore y metal en el Quito del siglo XXI |
2011 |
|
|
|
| LeVine, Mark |
Headbanging Against Repressive Regimes: Censorship of Heavy Metal in the Middle East, North Africa, Southeast Asia and China |
2009 |
|
|
|
