Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Haukkala, Hiski |
The Role Of Loud Popular Music In Revolutionary Social And Political Processes:Some Initial Conceptual Ideas |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
70-78 |
| Hendricks, C.C. |
Bang your head to the ‘beat’ of non-conformity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Herz, Gabriel F. |
Pura fusión: eugenesia, nacionalismo y (cierto) heavy metal |
2008 |
Emergencia: cultura, música y política |
|
145-160 |
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
| Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
| Hochhauser, Sharon |
The marketing of Anglo-identity in the North American hatecore metal industry |
2011 |
Metal rules the globe: heavy metal music around the world |
|
161-179 |
| Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
| Höpflinger, Anna-Katharina |
”Sakralkommunist”. Die religiös-politische Bricolage im Schweizer Black Metal |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
77-88 |
| Hoz de Vila Guzmán, Carolina |
Subsuelo político en el punk femenino paceño |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
73-98 |
| Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
