Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Pilo, Baptiste |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
2018 |
Sounds of origin in heavy metal music |
|
41-70 |
| Pomacosi, Yelitza |
Entre música y política: El rock de la Nueva Ola en La Paz |
2024 |
|
|
|
| Purcell, Natalie J. |
Death metal music: the passion and politics of a subculture |
2003 |
|
|
|
| Reali, Carlos Eduardo |
Heavy Metal Lyrics as a Form of Social Protest |
2006 |
|
|
67 |
| Rekedal, Jacob |
Martyrdom and Mapuche Metal: Defying Cultural and Territorial Reductions in Twenty-First-Century Wallmapu |
2019 |
Ethnomusicology |
63 |
|
| Repp, André; Masurek, Moritz; Othmer, Julius |
”We don’t like to talk about political issues”: Metal-Lyrics als (sub-)kultureller Ausdruck in autoritären Systemen |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
32-44 |
| Riches, Gabby |
Use Your Mind? Embodiments of Protest, Transgression, and Grotesque Realism in British Grindcore |
2016 |
Global metal music and culture: current directions in metal studies |
|
125-144 |
| Round, Julia; Savigny, Heather |
Editorial: Metal and politics special issue |
2018 |
Metal Music Studies |
4 |
257-264 |
| Saguar García, Amaranta |
Spanish and Non-Spanish Perspectives on El Cid in Heavy Metal: Identity Vindication, Cultural Appropriation and Islamophobia |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
61-77 |
| Saguar García, Amaranta |
Medievalism, Popular Culture and Politics in Metal Music. The Case of Hispanic Epic Themes |
2026 |
|
|
|
