| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Purcell, Natalie J. |
Death metal music: the passion and politics of a subculture |
2003 |
|
|
|
| Reali, Carlos Eduardo |
Heavy Metal Lyrics as a Form of Social Protest |
2006 |
|
|
67 |
| Rekedal, Jacob |
Martyrdom and Mapuche Metal: Defying Cultural and Territorial Reductions in Twenty-First-Century Wallmapu |
2019 |
Ethnomusicology |
63 |
|
| Repp, André; Masurek, Moritz; Othmer, Julius |
”We don’t like to talk about political issues”: Metal-Lyrics als (sub-)kultureller Ausdruck in autoritären Systemen |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
32-44 |
| Riches, Gabby |
Use Your Mind? Embodiments of Protest, Transgression, and Grotesque Realism in British Grindcore |
2016 |
Global metal music and culture: current directions in metal studies |
|
125-144 |
| Round, Julia; Savigny, Heather |
Editorial: Metal and politics special issue |
2018 |
Metal Music Studies |
4 |
257-264 |
| Saguar García, Amaranta |
Spanish and Non-Spanish Perspectives on El Cid in Heavy Metal: Identity Vindication, Cultural Appropriation and Islamophobia |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
61-77 |
| Saguar García, Amaranta |
Medievalism, Popular Culture and Politics in Metal Music. The Case of Hispanic Epic Themes |
2026 |
|
|
|
| Scaricaciottoli, Emiliano |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
84-99 |
| Scaricaciottoli, Emiliano; Minore, Gito (eds) |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
2021 |
|
|
|
