| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
| Swist, Jeremy |
“Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome |
2022 |
Metal Music Studies |
8 |
309-325 |
| Stoop, David; Bartosch, Roman (eds) |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
2015 |
|
|
|
| Krause, André |
2 Minutes to Midnight? Der Umgang mit den Themen Gesellschaft, Politik und Krieg in den Lyrics von Iron Maiden |
2019 |
|
|
|
| Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
| Calvo, Manuela Belén |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
2016 |
Metal Music Studies |
2 |
21-38 |
| Vigier, Lise |
At the Crossroads of Nordic Traditions and Languages: The Representation of the Swedish-Speaking Finnish Community in Finnish Heavy Metal |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
79-93 |
| Aitken, Paul A. |
Attack/Affect: System of a Down and Genocide Activism |
2011 |
MUSICultures; Calgary |
38 |
65-Ix |
| Hendricks, C.C. |
Bang your head to the ‘beat’ of non-conformity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Coelho, Patrícia |
Batendo cabeças: educação estética e política tecidas a partir do Heavy Metal |
2014 |
|
|
|
