| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Burke, David |
Esoteric Symbolism in Doom Metal |
2016 |
|
|
|
| Buts, Jeroen |
The Thematical and Stylistic Evolution of Heavy Metal Lyrics and Imagery |
2010 |
|
|
|
| Campbell, Erik |
The Death of Satan: A novice poet’s ode to his innocence, classic heavy metal, & the creativity of imaginary evil |
2005 |
The Massachusetts Review |
46 |
105-120 |
| Chaker, Sarah |
Black Metal und Death Metal. Eine empirische Untersuchung zu Religion, Gewalt und politischer Orientierung |
2004 |
|
|
|
| Chaker, Sarah |
”This means war”. Krieg – Zentrales Inhaltsmonument in Black und Death Metal |
2006 |
Von Schlachthymnen und Protestsongs: zur Kulturgeschichte des Verhältnisses von Musik und Krieg |
|
229-240 |
| Coggins, Owen |
Transforming Detail into Myth: Indescribable Experience and Mystical Discourse in Drone Metal |
2016 |
Global metal music and culture: current directions in metal studies |
|
311-332 |
| Cordeiro Fernandes, José Lucas |
A Sabedoria Perdida: uma análise da imagética de ”Dauði Baldrs” do Burzum (1994-1997) |
2016 |
Notícias Asgardianas. Boletim do Núcleo de Estudos Vikings e Escandinavos |
11 |
95-105 |
| Deeks, Mark |
Nordic Heavy Metal as a Representation of Place |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
49-63 |
| Digioia, Amanda |
Lechery, lycanthropy and Little Red Riding Hood in Type O Negative’s ‘Wolf Moon (Including Zoanthropic Paranoia)’ |
2016 |
Metal Music Studies |
2 |
233-243 |
| DiGioia, Amanda |
Nameless, but not blameless: Motherhood in Finnish heavy metal music |
2020 |
Metal Music Studies |
6 |
237-255 |
