| Author |
Title |
Year |
Publication |
Volume |
Pages |
| DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
| Draus, Agnieszka |
Retoryka wojenna i ekspresja agresji w twórczości Metalliki (z lat 1983‒1991) [War Rhetoric and the Expression of Aggression in the Works of Metallica (from 1983 to 1991)] |
2023 |
Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura |
15 |
7-18 |
| Draut, Easton |
White faces in the dark forest: A discussion surrounding whiteness and hegemonic masculinity in Norwegian black metal |
2023 |
Metal Music Studies |
9 |
293-309 |
| Elflein, Dietmar |
Schwermetallanalysen: die musikalische Sprache des Heavy Metal |
2010 |
|
|
|
| Fejes, János |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
2018 |
|
|
|
| Ferris, Ángel; Fontanet, Núria |
Pasaporte al infierno: un viaje sin retorno a la naturaleza de la bestia |
2007 |
|
|
|
| Foschum, Cornelia |
Skandinavischer Black Metal: Geschichte, Thematik, Symbolik und Ästhetik zwischen Satanismus und (Neu)Heidentum |
2014 |
|
|
|
| Friesen, Bruce K.; Epstein, Jonathon S. |
Rock ’n’ roll ain’t noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music |
1994 |
Popular Music and Society; Bowling Green |
18 |
1 |
| Gardenour Walter, Brenda S. |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
171-180 |
| Harrell, Jack |
The poetics of destruction: Death metal rock |
1994 |
Popular Music and Society |
18 |
91-103 |
