Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Spracklen, Karl |
Gorgoroth’s Gaahl’s gay! Power, gender and the communicative discourse of the black metal scene |
2010 |
Heavy fundametalisms: music, metal and politics |
|
89-102 |
| Spracklen, Karl |
Playing with Madness in the Forest of Shadows: Dissonance, Deviance and Non-Comformity in the Black Metal Scene |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
169-176 |
| Spracklen, Karl |
True Norwegian Black Metal — The Globalized, Mythological Reconstruction of the Second Wave of Black Metal in 1990s Oslo |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
183-195 |
| Spanu, Michael |
Global noise, local language: A socio-anthropological approach of the language choice in underground French metal |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
122-130 |
| Souza, Leandro Candido de |
Cartografias da cultura underground: o surgimento da subcultura heavy metal no ABC paulista e os deslocamentos da identidade suburbana |
2020 |
História Revista |
25 |
232-256 |
| Soltani, Ashkan; Zappia, Natale A. |
Rez Metal: Inside the Navajo Nation Heavy Metal Scene |
2020 |
|
|
|
| Snell, Dave; Hodgetts, Darrin |
Heavy Metal, identity and the social negotiation of a community of practice |
2007 |
Journal of Community & Applied Social Psychology |
17 |
430-445 |
| Snell, Dave |
The everyday Bogans: identity and community amongst heavy metal fans |
2012 |
|
|
|
| Snaza, Nathan; Netherton, Jason |
Community at the extremes: The death metal underground as being-in-common |
2016 |
Metal Music Studies |
2 |
341-356 |
| Smith, Gregory Vance |
Rhetorics of fear, deployment of identity, and metal music cultures |
2009 |
|
|
|
