Author  |
Title |
Year |
Publication |
Volume |
Pages |
Elliot, Caitlin; Barron, Paul |
Escape To Mayhem? Toward an Understanding of Attendees’ Motivations at a Heavy Metal Festival |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
37-45 |
Elovaara, Mika; Bardine, Bryan (eds) |
Connecting metal to culture: unity in disparity |
2017 |
|
|
|
Emms, Rachel; Crossley, Nick |
Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom |
2018 |
The Canadian Review of Sociology; Montreal |
55 |
111-135 |
Epp, André |
Heavy Metal und Islam – ein Antagonismus? Zur Rezeption und Verbreitung des Heavy Metals in Staaten der MENA |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
343-356 |
Esteve Monreal, Oscar |
Give ’Em war: the spanish metal scene |
2013 |
|
|
|
Fast, Susan |
Rethinking issues of gender and sexuality in Led Zeppelin: A woman’s view of pleasure and power in hard rock |
1999 |
American Music; Champaign |
17 |
245-299 |
Fellezs, Kevin |
Voracious Souls: Race and Place in the Formation of the San Francisco Bay Area Thrash Scene |
2016 |
Global metal music and culture: current directions in metal studies |
|
89-105 |
Fellezs, Kevin |
Talk Shit, Get Shot: Body Count, Black Masculinity, And Metal Music Culture |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
283-290 |
Fernández Morales, Roberto |
Heavy metal: a genre for all and none |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
46-54 |
Ferrarese, Marco |
Eastern Desekratorz and Nuclear Metal Lust:1 Performing ‘Authentic’ black metal in Malaysian Borneo |
2015 |
Metal Music Studies |
1 |
211-231 |