| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Diaz-Bone, Rainer |
Der Heavy Metal Diskurs |
2010 |
Kulturwelt, Diskurs und Lebensstil. Eine diskurstheoretische Erweiterung der bourdieuschen Distinktionstheorie |
|
241-322 |
| Hill, Rosemary Lucy |
Using Women’S Listening Pleasure To Challenge The Notion Of Hard Rock And Metal As ‘Masculine’ Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
240-246 |
| Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
| Souza, Leandro Candido de |
Cartografias da cultura underground: o surgimento da subcultura heavy metal no ABC paulista e os deslocamentos da identidade suburbana |
2020 |
História Revista |
25 |
232-256 |
| dos Santos Silva, Melina Aparecida |
Cartas, fitas cassete e fanzines: A circulação do metal no Brasil como modelo da dádiva |
2018 |
Metal Music Studies |
4 |
231-239 |
| Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
| Zaddach, Wolf-Georg |
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal |
2014 |
Lied und Populäre Kultur; Münster |
59 |
227-241,293 |
| Riches, Gabby; Lashua, Brett |
Mapping the underground: An ethnographic cartography of the Leeds extreme metal scene |
2014 |
International Journal of Community Music |
7 |
223-242 |
| Frandsen, Daniel |
Suicide, Booze and Loud Guitars |
2010 |
The metal void: first gatherings |
|
219-232 |
| Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
